Summer 1969

Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is.

Hayato's city is devastated by a giant robot, his parents are killed in the massacre. The only friend left to him is his dog Jack, the only things left are mom's shoe and a picture of a man and a woman who, as his father tells him on his deathbed, are his real parents. Now Hayato wants revenge on the one who is said to have sent the robot: the terrible Ghost Ship which threatens ships and is rumored to wish to exterminate everything. But then Hayato stumbles on a secret underground factory of Mr. Kurosio, owner of mostly everything in the city - and realizes things are not as Mr. Kurosio has been telling him... Someone terrible lives in a castle under the sea... Hayato is trying to tell people the truth - but his life is now in danger by from the one who does not wish to be known. Then Hayato is saved by no other than the captain of the Ghost Ship... Hayato is about to uncover more than the one secret he has been searching for.